Lastly, why are you replying to me? I did not reply to you nor did I reference your reply. It’s like people are intentionally refusing to understand how this all works. If they continue to distribute those components in the product, then they continue to obligate themselves to support them - bug fixes, problem solving, etc. Stopping you from using them is not really the main priority. They can find whatever workarounds they want, but when problems arise in those components Steinberg is not going to be obligated to waste time and resources supporting them. Imagine my shock when guys are finding a workaround though the company says no can do. It is a SIMPLE question to ask and a simple question to answer. But it’s legacy stuff and they’re removing it because it’s 100% out of development and there is potential for bugs to hide within that code.
Halion cubase pro#
MAGIX, for example, is taking the legacy Object Synths and plug-ins like Orange Vocoder ME out of Samplitude Pro X. Cubase is not exempt from this, so insinuating that Steinberg is an outlier is an exaggeration. Steinberg says for technical reasons and that’s that. Potential users should be warned that anything inside of Cubase can be dropped like a hot potato at any time don’t ya think? Now we have guys messing around trying to get their instruments to work. Outside of having projects held hostage by those legacy plug-ins, there really isn’t any reason to mourn their disappearance. You can run Cubase 11 alongside Cubase 12 while you finish those projects and get the stems exported.
I don’t really think Steinberg owes anyone a response beyond what has already been provided. I’m sorry, but which one of those is the question, and the last one really kind of stands out Steinberg’s primary goal is to inconvenience you.Steinberg can no longer legally distribute them.They needed to be removed to prevent breaking about to be introduced new features.They only fail when technology XYZ is present.
Halion cubase code#
It is very unlikely Steinberg is free to release third-party code as free abandonware. Unless third-party code was work for hire, where Steinberg paid to own the code, it will be encumbered by whatever licence agreement was put in place when Steinberg obtained rights to it. Nobody seems to know whether LoopMash was written by Steinberg or a third-party developer. Prologue, Mystic and Spector were produced by VirSyn - they are also engines in VirSyn’s TERA. No workload or expenses but a potential goodwill boost? The value is zero, but humans are silly so some want their old tools no matter what.įorgive me if I missed if there is some kind of similar situation like the old Waldorf of Wizoo collaborations etc where there is other companies involved, but these three or four plugins is Steinberg products to the core, right? They’re clearly not thinking the plugins benefit the only place they can be used, which is inside Cubase. Steinberg feels these plugins is causing more problems than benefits they could release these plugins as abandonware and stop supporting them and then just forget about them.
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